Bonseki (盆石; lit., tray rocks) is the ancient Japanese art of
creating miniature landscapes on black lacquer trays using white sand,
pebbles, and small rocks.
Small delicate tools are used in Bonseki such
as feathers, small flax brooms, sifters, spoons and wood wedges. The
trays are either oval or rectangular, measuring about 60 by 35
centimeters in size. Oval trays have a low rim while rectangular ones
are flat.
Bonseki scenes often depict mountains, seashores, and gardens.
Small
stones are used to represent mountains, shore lines or rocky islands
that waves break upon. Miniature structures, usually of painted copper,
are sometimes added to the work to make houses, temples, bridges, and
the like.
Bonseki scenes by design are generally meant to only be temporary.
Sometimes, by using special methods, a Bonseki scene can be preserved.
This is called either Bonga ("Tray Picture") or Suna-e ("Sand Picture").
The origins of Bonseki are unclear but it is believed Emperor Temmu,
who reigned in the mid-7th Century, made use of Bonseki techniques to
describe natural objects and landscapes. It is also believed that a
number of gardens in Kyoto were planned and designed with the use of Bonseki as a type of temporary blueprint.
Sen no Rikyu, the famed master of the Tea Ceremony, practiced Bonseki[citation needed] and one of his students, Hosokawa Sansai, set up a school dedicated to Bonseki with established techniques.
In recent times, Bonseki has seen some revival as new groups continue to
improve upon the Hosokawa techniques, while preserving its traditional
elegance. One such group is the Tokyo Kuyo-Kai of the Hosokawa School.
The Tokyo Kuyo-Kai states: "The importance of Bonseki is the peaceful
feeling and satisfaction you derive from creating a Bonseki scene and
not the result of the work."
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